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There's certainly evidence that women had tattoos on their bodies and limbs from figurines c. 4000-3500 B.C. to occasional female figures represented in tomb scenes c. 1200 B.C. and in figurine form c. 1300 B.C., all with tattoos on their thighs. Also small bronze implements identified as tattooing tools were discovered at the town site of Gurob in northern Egypt and dated to c. 1450 B.C. And then, of course, there are the mummies with tattoos, from the three women already mentioned and dated to c. 2000 B.C. to several later examples of female mummies with these forms of permanent marks found in Greco-Roman burials at Akhmim.
Jump up ^ The Times (London), 3 April 1879, p. 9: "Crime has a ragged regiment in its pay so far as the outward ... qualities are concerned ... they tattoo themselves indelibly ... asserting the man's identity with the aid of needles and gunpowder. This may be the explanation of the Mermaids, the Cupid's arrows, the name of MARY, the tragic inscription to the memory of parents, the unintended pathos of the appeal to liberty."
It’s the permanence that makes me weep. As if the Joker had made face paints from acid. Your youthful passion for ever on display, like a CD of the Smiths stapled to your forehead. The British Association of Dermatologists recently surveyed just under 600 patients with visible tattoos. Nearly half of them had been inked between the ages of 18 and 25, and nearly a third of them regretted it.
Dowdell says that Celtic and tribal tattoos are on the way out (and those similar in design). You might associate them with muscled celebrities and athletes, and recognize them for their ornate patterns or scenery. A Celtic tattoo uses black ink to background crosses, trees, or folkloric animals. A tribal tattoo uses black ink to fill in spiraling, zigzagging arrows and lines, often migrating from the pec onto the shoulder and arm. The tricky thing about tattoos is that you still see the ones that are “out of style”, because they’re permanently on the wearer. So, Dowdell’s point is that he’s doing far fewer of these types anymore, in favor of the aforementioned ones. As seen on: The Rock’s shoulder and arm. (His is technically a Polynesian tattoo, but stylistically in the same vein.)
Samoan society has long been defined by rank and title, with chiefs (ali'i) and their assistants, known as talking chiefs (tulafale), descending from notable families in the proper birth order. The tattooing ceremonies for young chiefs, typically conducted at the onset of puberty, were elaborate affairs and were a key part of their ascendance to a leadership role. The permanent marks left by the tattoo artists would forever celebrate their endurance and dedication to cultural traditions. The pain was extreme and the risk of death by infection was a great concern. But to shy away from tattooing was to risk being labeled a pala'ai or coward and reviled by the clan. Those who could not endure the pain and abandoned their tattooing were left incomplete, wearing their mark of shame throughout their life.
Medical tattoos are used to ensure instruments are properly located for repeated application of radiotherapy and for the areola in some forms of breast reconstruction. Tattooing has also been used to convey medical information about the wearer (e.g., blood group, medical condition, etc.). Additionally, tattoos are used in skin tones to cover vitiligo, a skin pigmentation disorder.
If you know you eventually want a sleeve, or if you’re going full-sleeve right out the gate, then Gualteros recommends starting at the shoulder. From there, you’ll work your way down the arm. “If someone came to me and let me do whatever I wanted, I’d start from the top with something that fits the body,” he says. “Something that doesn’t look like a sticker on the arm, then bring it down and fill it in.” Alternatively, he notes that some of his customers and fellow artists prefer to start at the wrist and work their way up, but on the same principle: By starting on one end, you aren’t guessing where to place everything else. Instead, you’re moving up or down the sleeve and filling it in with some kind of order.
Protection papers were used by American sailors to prevent themselves from being taken off American ships and impressed into the Royal Navy. These were simple documents that described the sailor as being an American sailor. Many of the protection certificates were so general, and it was so easy to abuse the system, that many impressment officers of the Royal Navy paid no attention to them. "In applying for a duplicate Seaman's Protection Certificate in 1817, James Francis stated that he 'had a protection granted him by the Collector of this Port on or about 12 March 1806 which was torn up and destroyed by a British Captain when at sea.'"  One way of making them more specific was to describe a tattoo, which is highly personal, and thus use that description to identify the seaman. As a result, many of the later certificates carried information about tattoos and scars, as well as other specific information. This also perhaps led to an increase and proliferation of tattoos among American seamen. "Frequently their 'protection papers' made reference to tattoos, clear evidence that individual was a seafaring man; rarely did members of the general public adorn themselves with tattoos."
Inktober Day 4 magentahorse 2 0 Snake tattoo jccerberus 1 0 Framed kaleidoscope-tattoos 0 0 October 7- Back Stab KitKatKittyKatKitten 0 0 My kids in wolf form B-RYZ 0 0 Anchor idea Blue-Simplicity 1 0 Chinese Dragon reepal 0 0 Inktober: Dragon yanadhyana 7 2 Okami - WIP kaleidoscope-tattoos 0 0 Warrior Woman kaleidoscope-tattoos 0 0 Rabbit Food kaleidoscope-tattoos 0 0 Moonmaid kaleidoscope-tattoos 0 0 All In Her Eyes kaleidoscope-tattoos 0 0 Pork Bun Buns kaleidoscope-tattoos 0 0 October 6- Broken Bones KitKatKittyKatKitten 1 0 Home Sweet Home kaleidoscope-tattoos 1 0
A well-known example is the Nazi practice of forcibly tattooing Nazi concentration camp inmates with identification numbers during The Holocaust as part of the Nazis' identification system, beginning in fall 1941. The Nazis' SS introduced the practice at Auschwitz concentration camp in order to identify the bodies of registered prisoners in the concentration camps. During registration, the Nazis would pierce the outlines of the serial-number digits onto the prisoners' arms. Of the Nazi concentration camps, only Auschwitz put tattoos on inmates. The tattoo was the prisoner's camp number, sometimes with a special symbol added: some Jews had a triangle, and Romani had the letter "Z" (from German Zigeuner for "Gypsy"). In May 1944, the Jewish men received the letters "A" or "B" to indicate particular series of numbers.