Protection papers were used by American sailors to prevent themselves from being taken off American ships and impressed into the Royal Navy. These were simple documents that described the sailor as being an American sailor. Many of the protection certificates were so general, and it was so easy to abuse the system, that many impressment officers of the Royal Navy paid no attention to them. "In applying for a duplicate Seaman's Protection Certificate in 1817, James Francis stated that he 'had a protection granted him by the Collector of this Port on or about 12 March 1806 which was torn up and destroyed by a British Captain when at sea.'"  One way of making them more specific was to describe a tattoo, which is highly personal, and thus use that description to identify the seaman. As a result, many of the later certificates carried information about tattoos and scars, as well as other specific information. This also perhaps led to an increase and proliferation of tattoos among American seamen. "Frequently their 'protection papers' made reference to tattoos, clear evidence that individual was a seafaring man; rarely did members of the general public adorn themselves with tattoos."
The sleeve tattoos for men are very expressive. Any man spotting a sleeve tattoo is viewed as open-minded and less likely to be alarmed by any controversial topics that might be discussed. With that impression, the people around them will be more open because they view the man as expressive and bold since they were bold enough to get a sleeve tattoo and show it off to the world in the first place. The sleeve tattoo can be a unique expression of what one stands for or their personal story depending of course on the design.
Humans have marked their bodies with tattoos for thousands of years. These permanent designs—sometimes plain, sometimes elaborate, always personal—have served as amulets, status symbols, declarations of love, signs of religious beliefs, adornments and even forms of punishment. Joann Fletcher, research fellow in the department of archaeology at the University of York in Britain, describes the history of tattoos and their cultural significance to people around the world, from the famous " Iceman," a 5,200-year-old frozen mummy, to today’s Maori.
If you know you eventually want a sleeve, or if you’re going full-sleeve right out the gate, then Gualteros recommends starting at the shoulder. From there, you’ll work your way down the arm. “If someone came to me and let me do whatever I wanted, I’d start from the top with something that fits the body,” he says. “Something that doesn’t look like a sticker on the arm, then bring it down and fill it in.” Alternatively, he notes that some of his customers and fellow artists prefer to start at the wrist and work their way up, but on the same principle: By starting on one end, you aren’t guessing where to place everything else. Instead, you’re moving up or down the sleeve and filling it in with some kind of order.
Hamlet says it's common for clients to ask for a few changes here and there after the design is done — but recommends going into the process knowing that you shouldn't micromanage the whole thing. Give your tattoo artist the leeway to be creative and use the artistry that is his or her forte. On that same note, don't be afraid to ask for something different if you don't like it. Hamlet says he works on a design until everyone is happy with it.
I am 6'3 and 205 with larger arms. These fit me OK. They run about 2/3 of the way up my arm and the top can be hidden by a shirt sleeve. They are 92% nylon and 8% spandex. They have a bit of ruuberband around the upper arm piece to hold it in place. The material feels like a women's nylon sock and I would guess holds up well to being stretched but not to snags or sharp objects.
According to George Orwell, coal miners could develop characteristic tattoos owing to coal dust getting into wounds. This can also occur with substances like gunpowder. Similarly, a traumatic tattoo occurs when a substance such as asphalt is rubbed into a wound as the result of some kind of accident or trauma. These are particularly difficult to remove as they tend to be spread across several layers of skin, and scarring or permanent discoloration is almost unavoidable depending on the location. An amalgam tattoo is when amalgam particles are implanted in to the soft tissues of the mouth, usually the gums, during dental filling placement or removal. Another example of such accidental tattoos is the result of a deliberate or accidental stabbing with a pencil or pen, leaving graphite or ink beneath the skin.