Custom Tattoo Design (CTD) go out of their way to make sure you are happy with the end result. Before you receive the final design, the artist sends you a rough sketch to approve. If you aren’t satisfied with their design, CTD will give you a full refund of your deposit. The final design comes with a certificate of authenticity releasing the copyright from the artist so you can get your custom tattoo inked.
Because of the variety and versatility, it gives to the designer as well as the bearer, it is a great piece of art for those who want to show off their individuality and originality to the whole world. The one and the only thing to bear in mind before having a sleeve tattoo etched is that it requires a great deal of commitment, as time, money and comfort, all are at stake. And another factor which you should base your decision is that you should be willing to carry such a tattoo with your forever because, once done, such a tattoo is hard to get rid of due to its size and prominence. The lasting nature of this tattoo can make it both, beneficial as well as disadvantaged for the bearer.
This tattoo design normally has smaller details that need to be given with serious attention by the tattoo artists. Perfecting these tiny details requires wide knowledge about sleeve style tattooing. This is the reason why it is very important for you to opt for a well-experienced and most reliable tattoo artist in town. Depending on the difficulty of the design, this may require days, weeks, and even months of engraving into the person’s arms. It even requires great creativity on the tattoo artist’s part. On the client’s part, on the other hand, a considerable amount of patience is needed. You need to patiently wait until the tattoo is completely done.
Some tribal cultures traditionally created tattoos by cutting designs into the skin and rubbing the resulting wound with ink, ashes or other agents; some cultures continue this practice, which may be an adjunct to scarification. Some cultures create tattooed marks by hand-tapping the ink into the skin using sharpened sticks or animal bones (made into needles) with clay formed disks or, in modern times, actual needles.
Many studies have been done of the tattooed population and society's view of tattoos. In June 2006, the Journal of the American Academy of Dermatology published the results of a telephone survey of 2004. It found that 36% of Americans ages 18–29, 24% of those 30–40, and 15% of those 41–51 had a tattoo. In September 2006, the Pew Research Center conducted a telephone survey that found that 36% of Americans ages 18–25, 40% of those 26–40 and 10% of those 41–64 had a tattoo. They concluded that Generation X and Generation Y express themselves through their appearance, and tattoos are the most popular form of self-expression. In January 2008, a survey conducted online by Harris Interactive estimated that 14% of all adults in the United States have a tattoo, slightly down from 2003, when 16% had a tattoo. Among age groups, 9% of those ages 18–24, 32% of those 25–29, 25% of those 30–39 and 12% of those 40–49 have tattoos, as do 8% of those 50–64. Men are slightly more likely to have a tattoo than women.
The legacy of Polynesian tattoo began over 2000 years ago and is as diverse as the people who wear them. Once widespread in Polynesian societies across the Pacific Ocean, the arrival of western missionaries in the 19th century forced this unique art form into decline. Despite the encroachment of Christian religious beliefs that vilified tattooing as unholy, many Polynesian tattoo artists maintained their vital link to their culture's history by preserving their unique craft for generations.
A well-known example is the Nazi practice of forcibly tattooing Nazi concentration camp inmates with identification numbers during The Holocaust as part of the Nazis' identification system, beginning in fall 1941. The Nazis' SS introduced the practice at Auschwitz concentration camp in order to identify the bodies of registered prisoners in the concentration camps. During registration, the Nazis would pierce the outlines of the serial-number digits onto the prisoners' arms. Of the Nazi concentration camps, only Auschwitz put tattoos on inmates. The tattoo was the prisoner's camp number, sometimes with a special symbol added: some Jews had a triangle, and Romani had the letter "Z" (from German Zigeuner for "Gypsy"). In May 1944, the Jewish men received the letters "A" or "B" to indicate particular series of numbers.